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the estate

Three hundred years of good behaviour.

Give or take.

This Catholic rectory turned Galician hideaway holds ten rooms designed for character and comfort, a gourmet restaurant and bar where the garden decides the menu, a billiard room where all bets are off, and a piano salon for entertainment at all hours.

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Take the tour
The grounds

Granite, moss, and a great deal of pure air.

Three hectares of orchard, vineyard, chestnut groves and a breadbox that receives fresh pán galego daily, delivered from the local baker. These gardens hold surprises at every turn.

  • The granite rectory seen from the lawn, hydrangeas along the terrace wall

    The rectory, from the south lawn

  • Horreo

    The hórreo

  • The sundial terrace and the tiled palomar, looking west over the valley at sunset

    The sundial terrace

  • The pétanque court at sunset, framed by olive trees and flowering borders

    The pétanque court

  • The stone palomar at golden hour, above the garden and the wooded valley beyond

    The palomar

  • A vine pergola trained on granite posts, the grass path running beneath the canopy

    The vine pergola

  • Vines and oak woodland, with the mountains of southern Galicia at dusk

    The vineyard at dusk

The Rooms

Ten rooms, no two alike.

Our ten suites take their titles from the Galician names for trees scattered across the estate. Vimbio is intimate; Castañea has rather more room to make an entrance. Each is different, with centuries-old beams, some with baths made for lingering, and all with views that provide a persuasive reason to stay put.

Portuguese sateen sheets, pressed until perfectly crisp, await in every room, alongside a selection of our favorite Galician treats, a chilled bottle of Albariño, and a personal concierge just a call away.

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Inside

Beds worth staying in past noon.

Original stone left where the masons left it, floors that creak in the places they should, and windows deep enough to sit in. Modern where it matters, and nowhere else.

  • A queen room with a claret headboard, houndstooth throw and a writing desk by the window

    The Prior’s Quarter

  • A twin-bedded room under exposed beams, with terracotta curtains and a garden-facing balcony

    The Pilgrim’s Rest

  • Two single beds with green velvet headboards, doors opening to the hills

    The Novice’s Cell

  • A suite with an arched oak headboard, opening through to the tiled bathroom

    The Sinner’s Suite

  • The principal bathroom — a freestanding bath set against the original granite wall

    The principal bath

  • A guest bathroom with a brass rainfall shower behind a steel-framed screen

    Brass and steel

  • A guest bathroom in striped blue and cream tile, with brass fittings and a marble washstand

    Stripes and salt-glaze

The Rectory

The best rooms have no beds in them.

The entrance hall sets the tone — a hundred amber lanterns strung beneath the beams, and a saint on the wall who has plainly seen worse. Beyond it sits the library, where the fire is lit by four and the reading is cheerfully interrupted.

The billiard room takes wagers it has no intention of honouring. The piano salon stays open as long as somebody is willing to play. Nobody here has ever been asked to move along.

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Downstairs

Where everyone ends up.

Doors left open, fires lit early, and furniture you are actually meant to sit on. The common rooms do most of the talking here.

  • The salon — a stone arch, a brass-shelved bar and deep velvet seating under the beams

    The salon

  • The billiard room, with claret walls, a carved table and a window onto the grounds

    The billiard room

  • The entrance hall — painted coats of arms above a granite arch through to the sitting room

    The entrance hall

  • A chess table set by the window, looking onto the stone courtyard

    The chess corner

  • The dining room, a long table beneath a pleated chandelier and an oxblood doorframe

    The dining room

  • Powder room with William Morris wallpaper, a marble washstand and a checkerboard tile floor

    The powder room

Gastronomy

The table is the entire point.

Galicia feeds people the way other places apologise. Percebes prised off the rocks that morning, pulpo á feira on a wooden plate, caldo that has been simmering since an argument in 1961 and shows no sign of resolving.

Breakfast runs long. Lunch runs longer. Dinner is served at one table, at one hour, to whoever is here — and it is very difficult to leave it early.

See what’s cooking
Spa & Wellness

Do nothing, thoroughly.

The old stable block now holds a stone hammam, a sauna that smells of eucalyptus, and treatment rooms where the therapists use oils pressed from the estate’s own olives and herbs cut from the kitchen garden that morning.

Swim, steam, sleep on a heated bench, and emerge some hours later having accomplished absolutely nothing. Yoga on the terrace at eight, for the ambitious.

Treatments & schedule
The Garden

Everything on the plate grew here first.

A walled kitchen garden, a glasshouse warm enough to sit in through February, and twelve raised beds that dictate the menu rather than the other way around. The gardeners and the kitchen are in permanent, productive disagreement.

Guests are welcome to pick, prune, ask questions, and be handed a trug. There is no better way to understand a place than to dig in it.

Garden walks & workshops
Focus

A boardroom that smells of woodsmoke.

The old library works as hard as it looks: a twelve-seat table, full A/V and screen-share, fast fibre throughout the house, and a scattering of smaller rooms for the conversations that need a door.

Take the whole estate and it becomes yours — the kitchen, the garden, the spa, the long table at the end of the day. Teams arrive to decide something difficult and leave having also learned to shuck an oyster.

Executive escapes

Let’s keep in touch.